“(Re)collecting the Vietnam War”. Guest Editors: Cathy J. Schlund-Vials & Sylvia Shin Huey Chong. My work featured in BEYOND curated by Vo Hong Chuong-Dai
p. 106, 115-118.p.106 Floating World, 1992 (left), Forest, Mountain, River, 2012 (Right),
“(Re)collecting the Vietnam War”. Guest Editors: Cathy J. Schlund-Vials & Sylvia Shin Huey Chong. My work featured in BEYOND curated by Vo Hong Chuong-Dai
p. 116 Helmet, 2013
“(Re)collecting the Vietnam War”. Guest Editors: Cathy J. Schlund-Vials & Sylvia Shin Huey Chong.
My work featured in BEYOND curated by Vo Hong Chuong-Dai
p. 116 Helmet, 2013
“(Re)collecting the Vietnam War”. Guest Editors: Cathy J. Schlund-Vials & Sylvia Shin Huey Chong. My work featured in BEYOND curated by Vo Hong Chuong-Dai
p.117 Flags Series, 2009-2014
“(Re)collecting the Vietnam War”. Guest Editors: Cathy J. Schlund-Vials & Sylvia Shin Huey Chong. My work featured in BEYOND curated by Vo Hong Chuong-Dai
p.118 Shadow on the Great Hall of the People, 2012.
Documentation of my work from 1993 as a member of Godzilla in the new book A revelatory compendium of writings, art and ephemera on the ’90s New York collective that fostered a social space for diasporic Asian artists
This anthology gathers writings, documentation and ephemera from Godzilla: Asian American Arts Network, a collective based in New York from 1990 to 2001, which was formed to provide a support structure for Asian American artists, writers and curators to stimulate visibility and critical discourse for their work.
Ms. Hanoi, 1993
9’5” x 64” x 4.5”
Wood, neon light, resin, fabric, acrylic paint, metallic Formica.
Another version of the story of Vietnam War presented in contrast to Miss Saigon billboards.
Documentation of my work from 1993 as a member of Godzilla in the new book A revelatory compendium of writings, art and ephemera on the ’90s New York collective that fostered a social space for diasporic Asian artists
This anthology gathers writings, documentation and ephemera from Godzilla: Asian American Arts Network, a collective based in New York from 1990 to 2001, which was formed to provide a support structure for Asian American artists, writers and curators to stimulate visibility and critical discourse for their work.
Ms. Hanoi, 1993
9’5” x 64” x 4.5”
Wood, neon light, resin, fabric, acrylic paint, metallic Formica.
Another version of the story of Vietnam War presented in contrast to Miss Saigon billboards.
Documentation of my work from 1993 as a member of Godzilla in the new book A revelatory compendium of writings, art and ephemera on the ’90s New York collective that fostered a social space for diasporic Asian artists
This anthology gathers writings, documentation and ephemera from Godzilla: Asian American Arts Network, a collective based in New York from 1990 to 2001, which was formed to provide a support structure for Asian American artists, writers and curators to stimulate visibility and critical discourse for their work.
Ms. Hanoi, 1993
9’5” x 64” x 4.5”
Wood, neon light, resin, fabric, acrylic paint, metallic Formica.
Another version of the story of Vietnam War presented in contrast to Miss Saigon billboards.
Documentation of my work from 1993 as a member of Godzilla in the new book A revelatory compendium of writings, art and ephemera on the ’90s New York collective that fostered a social space for diasporic Asian artists
This anthology gathers writings, documentation and ephemera from Godzilla: Asian American Arts Network, a collective based in New York from 1990 to 2001, which was formed to provide a support structure for Asian American artists, writers and curators to stimulate visibility and critical discourse for their work.
Ms. Hanoi, 1993
9’5” x 64” x 4.5”
Wood, neon light, resin, fabric, acrylic paint, metallic Formica.
Another version of the story of Vietnam War presented in contrast to Miss Saigon billboards.
Here and Now, Now and Then by Dinh Le
p.101 Sister’s Life, by An Ngoc Pham, oil on canvas, 1991
Here and Now, Now and Then by Dinh Le
p.101 Sister’s Life, by An Ngoc Pham, oil on canvas, 1991
Here and Now, Now and Then by Dinh Le
p.101 Sister’s Life, by An Ngoc Pham, oil on canvas, 1991